SAMA MIRSHAHVALAD
Sculptor · Installation Artist
Artist Statement
My work emerges from the intersection of displacement, the body under pressure, and the architecture of confinement. Working in bronze, concrete, ceramic, and resin, I make sculptures and installations that carry the visible evidence of force — cracked, embedded, still standing. Shaped by growing up in Iran, living through war, and building a life between cultures, my practice asks what survives when a life is turned upside down, and what new form it takes.
Exhibitions
Group Exhibitions
Future East Festival
OHM, Berlin, Germany
International festival for Eastern European and Central Asian art
Mar 2026
Dard-e-Delan Collective
Quantum Galerie, Berlin, Germany
Mixed-media group show; included razor wire installation
Dec 2025
Group Exhibition
90mils, Berlin, Germany
Collaborative installation Where Are My Shoes? with filmmaker Thomas Burton
Nov 2025
Dard-e-Delan Collective
Atelier Rooftop, Berlin, Germany
Aug 2025
Education
Training
Sculpture Apprenticeship
Mona Paad (asst. to Parviz Tanavoli — Iran's most celebrated sculptor), Tehran
2025
History of Modern Art
Alireza Sami Azar, Tehran
2025
Contemporary Sculpture (Theory)
Mona Paad, Tehran
2025
Blown Glass Intensive Workshop
Mona Paad, Tehran
2025
Intensive Clay Course (glazing & advanced molding)
Asar Studio, Tehran
2024–25
Creative with Clay
Francesco Petruccelli, Berlin
2024
Relief Modeling Workshop
Florian Fleischmann, Berlin
2024
Academic
M.Sc. Innovation Management, Entrepreneurship & Sustainability
TU Berlin
2017–2020
B.Sc. Industrial Engineering — System Analysis
Tehran
2009–2013
Materials & Techniques
– Bronze casting & patination
– Metal welding & finishing
– Clay modeling, glazing & slip casting
– Concrete molding
– Mold making & wax modeling
– Resin casting
– Relief modeling
– Glass blowing
About
Sama Mirshahvalad is an Iranian-German sculptor based in Berlin. Her practice draws from explorations of consciousness, Buddhist philosophy, and Eastern mysticism — particularly the poetry of Rumi and the writings of Ken Wilber and S. N. Goenka. A background spanning engineering, somatic bodywork, and contemplative practice has shaped a holistic approach to making: each sculpture is both a material investigation and a philosophical proposition. She began working full-time as a sculptor in 2024, following a decade-long interdisciplinary career and a ten-day silent meditation retreat in South Africa.